Three Times Grimm

Three Times Grimm ⸱ Movement impulses in figure play. From narrative text to stage play

Theater im Ohrensessel, Vienna. Stefan Libardi and Ernst Reepmaker. A performance with interjections

Do we want an epic or dramatic staging? Shall we take centre and periphery as formative forces in order to find the respective approach to movement? Shall we try playing with the presence of the story, the rhythm, the figure, the audience’s breath, in order to arrive at a musical, poetic, imaginative production borne by sheer joy in playing? Let us rejoice when it succeeds and colour, word and sound then resonate together and begin to dance as one.

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